WHAT IS LINE EDITNG, COPYEDITING, AND PROOFREADING?

 

So you’re no longer confused, and to prevent editor-to-author miscommunication, I’m here to explain the different types of edits: line, copy, and proof.

Line-editing

First, you want a line edit, the most important in my opinion. Whenever a friend reads a section from your book and gives you feedback, this is considered a very minor form of line editing. A line editor’s job is to tell you where there are plot holes and offer ideas on how to fix them. They’re most likely to tell you that eight of your chapters are unnecessary and that you should discard them. In other words, if you find a good line editor, they’ll get your plot in shape so no reader will want to put your book down. For good results, a moderate to intense line edit is needed while your book is in its early draft state.

Copy-editing

Second, you want a copy edit. Once your plot is the best it can be, you’ll want someone to check your sentence structures, a.k.a. your syntax, your grammar, spelling, etc., which is a copy editor’s job. There’s no minor, moderate, or intense form of copy editing, unless you count the instances where an editor points out a problem, such as the way you use the word there, once and never again. They’ll say something like, “I see that you use ‘there’ incorrectly many times in this chapter. Since there are so many, I wanted to make sure you were aware, but I don’t want to point all of them out.” This might be a moderate to minor copy edit if they do this for a lot of mistakes.

Proof-reading

Lastly, you want a proofread. Sometimes referred to as a proof editor, a proofreader reads the final stage of your draft to make sure everything sounds right. They are not expected to do hard editing of any kind. They’re basically beta readers, so don’t spend a ton of money on them when you can get fans or friends to read your manuscript for free.

Thanks for reading. I’ve wanted to make this kind of post for so long, but I never really knew the differences myself until recently.

Hope this helped,

WritingMime

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How To Write A Bio/Author’s Page

Conform to your genre. Write yourself as a character who would write in your book’s genre. If you’re writing a comedy, throw a few funny facts in about yourself. If you’re writing horror or thriller, keep it serious. Don’t write things like, “She finds her inspiration on long beaches,” because that’s what a romance writer might say in their bio section.

Don’t write in first or second person. Don’t write about yourself in a way that you are talking to the audience or you’re literally talking about yourself. Seem professional, like someone else wrote this for you, especially you self-published authors. It’s hard enough to seem legitimate.

Filter your facts. Speaking of seeming legitimate, don’t ramble on about your favorite bread of cat (unless you’re writing a book on cats). Facts that you’ll want to include are as followed:

  • Schools or classes you’ve attended for writing
  • How long you’re been writing
  • Mentions of other books of yours that fall in the same genre or close to
  • Links and other places to find your books (so if you write in other genres, as well, they can stumble upon them that way)

You want to seem like you take writing seriously, hence all the facts about writing. You of course are welcome to share basic facts that everyone should know, like where you were raised, or what inspires your writing the most. Keep it simple, though. The bio section isn’t this long resume of facts (unless you’re writing a book on how to write resumes).

Thanks for reading!

WritingMime

Where you can find my books: http://www.amazon.com/Brista-Drake/e/B00YZGC792/ref=ntt_dp_epwbk_0

YouTube Channel: http://www.youtube.com/user/writingmime

Instagram: https://www.instagram.com/writingmime/

Goodreads: https://www.goodreads.com/user/show/22704883-writingmime

Sexuality In Books

Many books have sex, physical signs of affection, and sexual tension. As a writer, I want to know why we do this, how can and how much can it help the book, and are there downsides.

The downsides:

  • As a writer, one should write what they love and express most comfortably. One does not write well in a genre they are not interested in. Figuring out if you’re a sexual writer is very simple. Do the movies, books, and shows you love so much have sexual innuendos and intimate scenes? Then you’ll probably do well. If not, I’m going to guess you’re not going to write very strong tension, if you are at all.
  • There are quite a lot of people out there that are prudent when it comes to sex as a topic of choice. They stay clear of it and might even disgrace your book if it contains that kind of imagery or dialogue. Write what you want, though. They don’t matter if that’s what you’re interested in writing about.

The upsides:

  • Especially if you are writing in teen fiction, you’ll want to have sexuality present in your books. Most publishing houses label young adult books as novels that explore the aspects of adulthood, breaking into topics like sex, drugs, bullying and pop culture. It’s what they’ve been forbidden to read, so teens read it the most. Most other adult genres have sexuality, as well.
  • It can make the book more relatable. Sexuality does exist in the real world, and, where appropriate, an author should address the subject as realistically and reliably as possible. It brings realism and a stronger emotion to the story you’re writing.

How should you write sexuality into your book?

Depending on how you look at sex, you could include physical contact in your book: kissing, caressing hands, intercourse, etc. You can be more or less descriptive, telling readers exactly what’s going on second by second, or hint to a scene that the readers never see. Then again, you can avoid the matter entirely.

You can use it as a detail instead of a plot movement. Maybe you just want the boy to kiss his girlfriend on the cheek. It doesn’t mean anything for the story, other than to show the boy continues to care for his girl. You could also, romance writers, use it as a plot or turning point. Ex: The princess loves her rescuer, but she better not kiss him before she gets back to her soon-to-be-husband prince, or there might not be a coming back.

If you want to write the best sexual tension, keep the suspense long and agonizing, make the main character’s love interest as mysterious as possible for as long as possible, and write the MC meeting the love interest in the same age bracket as your potential audience. It’s automatically more relatable, and not everyone has known their love interest their whole life.

But there have been books where the MC was dead, and it still got pretty steamy. So write what you want to write, bottom line. If you’re hearts in it, the writing will present exactly what you want your readers to receive.

That’s my intake on the whole sexuality-in-books thing. What’s yours?

Keep writing,

WritingMime

Where you can find my books: http://www.amazon.com/Brista-Drake/e/B00YZGC792/ref=ntt_dp_epwbk_0

YouTube Channel: http://www.youtube.com/user/writingmime

Instagram: https://www.instagram.com/writingmime/

Goodreads: https://www.goodreads.com/user/show/22704883-writingmime